Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Saturday, 12 January 2019

Why nudity is worth defending

Riders in the 2009 World Naked Bike Ride pause in front of the White House

Nudity ought to be legal and accepted everywhere it is physically safe. The fact that it is not is a societal injustice. I know most of you aren’t going to agree straight off the bat, so let me lay out my reasoning and see what you think.

Admittedly, it’s not a major societal injustice. There are other injustices with more dire consequences for more people, that more deeply undermine our ability to trust each other and are more urgent priorities. Relatively few people share my autistic sensory aversions to clothing, and those aversions don’t usually rise above the level of mild discomfort unless it gets very hot or the clothing in question is wet. (Swimming-togs feel like knives cutting me.) But most of the time, I think, struggles against different injustices help rather than hinder one another. Raising people’s awareness of one injustice makes them more alert to other injustices, not less. It isn’t a competition.

First point: People deserve a degree of respect simply on account of being people. That includes being able to go about one’s daily business without harassment from one’s fellow citizens. There is no amount of clothing one might wear or not wear that would make one deserve to be yelled at, ogled, pelted with rubbish, or chased off the streets. It is therefore unfair to yell at someone, ogle them, throw things at them, or chase them away because of what they might choose to wear or not to wear.

Second point: Injustice is fundamentally the same thing as unfairness. We just tend to reserve the weightier word for when there are graver consequences, such as when discrimination is enforced by the police or when it prevents people from participating fully in society. Therefore, if people are threatened with arrest or prevented from participating in society due to what they are wearing or not wearing, that is an injustice. If the law allows or prescribes for it, the law is unjust.

Third point: People are in fact harassed, arrested, and ejected from public places if they go nude. We’ve just agreed that this would be an injustice if it happened; well, it does happen, and therefore it is an injustice.

Finally, this particular injustice is enforced by society as a whole, not just by officers of the law. That makes it a societal injustice. The fact that nudity is not legal or acceptable is a societal injustice. There you go.

Somehow this is easier to see when the body taboo in question is that of a culture that isn’t our own – when it’s Arab police forcing women into hijab or French police forcing them out of it, Victorian missionaries imposing Western clothing on Pacific Islanders or that one group of Pacific Islanders (the Kwaio on Malaita in the Solomons) who impose toplessness on Western visitors. But an injustice is an injustice, and it is in the nature of societal injustices that they feel like ordinary common sense to enculturated members of the societies that enforce them. Which would include ours. Which means that just because wearing clothes feels like ordinary common sense to us, doesn’t mean that it’s not a societal injustice.


Now, how serious an injustice is it? Is anyone seriously hurt by having to wear clothes (obviously not counting us autistics and our autistic sensory issues which make us, as we are reminded daily, such a nuisance to normal people)? Well, there are a couple of problems that I think are bound up with it.

Friday, 6 March 2015

Ships that pass in the night

If I ever get my hands on a working time-machine, the first thing I shall do is organize a public debate between C. S. Lewis and Steven Pinker. Not (I’m sure they would both protest) that it would be an especially momentous encounter compared to what you could do with a time-machine. If all goes well, rest assured I will also talk to Shakespeare and Virgil and Homer and the author of Beowulf, document the Polynesian conquest of the Pacific and the first people in the Americas and Australia, film mammoths and indricotheres and dinosaurs in their natural habitat, witness the origin of life, and all that other guff. But the Lewis-Pinker debate will serve as a proof of concept.

Why those two in particular? Because they are so different and yet so similar. Both are fascinated by language, and by what it reveals about the mind. It seemed a little too good to be true, a few years ago, when a manuscript was discovered containing Lewis’s opening contribution to a planned collaborative work with J. R. R. Tolkien, to be entitled Language and Human Nature. Sadly, Seven magazine, which I gather printed the fragment, hasn’t uploaded it to the web. It was never completed because Tolkien was as bad at finishing things as I am, and also he was bogged down in The Lord of the Rings at the time the project began. But that tantalizing title could be the subtitle for most of Pinker’s popular works. On language, Pinker and Lewis nearly always agree.

Sunday, 23 November 2014

The kind of religion I’m against

I am an atheist from a Christian family. Quite a few of my Facebook friends are people I knew from church back in the day, and most of them are still Christians if not necessarily still at that church. So quite often I get religious memes across my feed, and there will sometimes be religious conversation around the dinner-table when I visit my family. It seems to me that I exercise quite a noble degree of restraint on these occasions, continually refraining from passing critical comment, saying nothing in front of the children. But of course everybody feels that they respond better to annoyances than they really do, and that they themselves are less annoying than they really are.
This isn’t going to be about why I don’t believe in God. Nor is it going to be anywhere near all my thoughts on religion. I just want to stake out my position on the question: to what degree should religion be tolerated, and to what degree should it be opposed? Is it like race or gender, so that opposition to a belief different from one’s own is bigotry? Is it like politics, so that the rights and wrongs depend partly on what you want and what you stand for? Or is it like science, so that there is a “truth of the matter” and other positions are factually false? And can everyone please at least pick one of those and stick with it, rather than being like “My religion is like my race and you’re a bigot if you dispute it, but other people’s religions are like their politics and I hereby declare my opposition to them because I don’t want them to be true”?
I’ve been drafting this post on and off for a while now. I started it when Libby Anne over at Love, Joy, Feminism wrote this post on the four major goals of the atheist movement, of which she endorses three, the exception being “working toward a world without religion”. I agree with most of what she says, but somehow the whole thing doesn’t quite sit comfortably in my head. (By contrast I agree completely with what she said recently about Sam Harris, though admittedly because it’s just what I already thought.) Of all things, what’s drawn me back to it is that, in the small choir I sing in, we’re now practising a setting of Thomas Hardy’s 1915 poem The Oxen for the upcoming Christmas concert. But I’ll get to that.

Sunday, 9 November 2014

Why couldn’t we have had a movie about Lúthien?

I gather the Tolkien family have put their foot down and said “no” to any more Middle-Earth movies after The Hobbit is completed. I’m disappointed, but only mildly. The days are now past when any attempt to depict high fantasy on screen was bound to fail ignominiously. I don’t begrudge the Tolkiens their decision – apparently their father’s fame has been the bane of their privacy for half a century, not to mention that the movie companies have been very stingy about passing any of their profits on to his estate. And I understand completely why Peter Jackson and Weta Workshop went for The Lord of the Rings and The Hobbit first. But I think Tolkien himself was a bit embarrassed by The Hobbit. It wasn’t originally supposed to be part of the mythos at all – he just helped himself to the name of a character (Elrond) and a place (the lost city of Gondolin) to give it a bit of atmosphere, and then filled out the connections over the twelve years it took to write The Lord of the Rings. (Which then took six more years to publish. And George R. R. Martin fans complain about waiting five for A Dance with Dragons.)
Those two were the only Middle-Earth books J. R. R. Tolkien got published in his lifetime. All right, those and a small collection of verse under the title The Adventures of Tom Bombadil. His son Christopher is still, I think, collecting and transcribing the giant mass of manuscripts he left when he died, some of them going right back to his time in the trenches of World War I. The first published was The Silmarillion, a collection of the whole mythos condensed down to one chapter per story, which many people understandably find tough going. Jackson has had to stretch and pad out The Hobbit to make three movies of it; The Silmarillion would fill at least a dozen.
Of all Jackson’s padding, the single element that has raised the most fan complaints so far is the most necessary one: the invention of the female elf-ranger Tauriel among Thranduil’s people in Mirkwood. I have a sneaking suspicion Jackson is going to kill her off in the third movie. The Hobbit was a boys’ adventure story, and like many boys’ adventure stories of the time it had no female characters. The Lord of the Rings has seven named female characters, eight if you count Shelob the spider. Two, Lobelia Sackville-Baggins and Ioreth of Minas Tirith, are old-lady stereotypes. One is Rosie Cotton, who doesn’t show up until Sam Gamgee needs a happy ending. The remaining four are all idealized models of femininity – Goldberry, Arwen Evenstar, Galadriel, and Éowyn of Rohan. Goldberry, like Tom Bombadil her husband, appears only in a disconnected episode near the beginning; her character is too sketchily drawn to tell us much about her author’s values. Arwen, Galadriel, and Éowyn each warrant further investigation.